I can't pick a favorite book, so I kiss them all.

Would You Want to Be Friends With Humbert Humbert?: A Forum on “Likeability”

newyorker:

Our Page-Turner blog asked a group of novelists how often the question of likeability has been posed about their characters: http://nyr.kr/16CpZCS

Illustration by Roman Muradov

A topic to discuss on the blog, perhaps.

(Source: newyorker.com)

igotopinions:

So there is a word for my crimes…


Yes.

igotopinions:

So there is a word for my crimes…

Yes.

(via teachingliteracy)

theparisreview:

In a note to Fitzgerald, Hemingway shows he was better at being aggressive than passive-aggressive. 
For more of this morning’s roundup, click here.

Love that guy.

theparisreview:

In a note to Fitzgerald, Hemingway shows he was better at being aggressive than passive-aggressive.

For more of this morning’s roundup, click here.

Love that guy.

amandaonwriting:

Where Writers Write - The Brontë Sisters
This room at Haworth Parsonage, known as the dining room, the drawing room or the parlour, is where the Brontë sisters used to write and discuss their work with each other.

amandaonwriting:

Where Writers Write - The Brontë Sisters

This room at Haworth Parsonage, known as the dining room, the drawing room or the parlour, is where the Brontë sisters used to write and discuss their work with each other.

Here, I understood, was someone who would not allow me to take comfort in inertia. Already, I was different with him. Better. More.

Melanie Benjamin, The Aviator’s Wife

Contemplation, rather than action; that seemed to be my lot in life, and I was ashamed of it even as I craved it.

Melanie Benjamin, The Aviator’s Wife

…the same problems still haunt me, because I’m still incredibly sensitive and everything always feels personal. What I mean by sensitive is not just that I feel things intensely in the moment, but that I actively avoid things, because I know that they will stick with me for a long time. They will appear before me as if they have just happened, they will shape my mood, and they will never go away.

Ashley Riordan, Easier to Retreat

(Source: ashleyriordan.com)

No subject is terrible if the story is true, if the prose is clean and honest, and if it affirms courage and grace under pressure.

Ernest Hemingway

Monsieur Zola’s tale is not about getting a washhouse or a chance upon the stage. It is about being born downtrodden and staying that way. Hard work makes no difference, he is saying. My lot, the lots of those around me, were cast the moment we were born into the gutter to parents who never managed to step outside the gutter themselves.

In the fourth balcony, same as the rest of the theater, people get to their feet, stamping and hollering, hands cupping their mouths or beating together overhead. Not me though, I sit, quiet and still, and wonder about the people around me, the woman with the footstool taken from her feet. Did they not see? Did she not see?

I stay out on the bench, the pads of my fingers rubbing my measly brow. Even when the balcony is empty of all but me and the old concierge, holding her back as she stoops to pick up ticket stubs and greasy wrappings from the floor, I have not cleared my head of Gervaise. I see her huddling to keep out the coldness of a winter’s night, also bits of paper fluttering down from behind the proscenium arch, landing like merciless angels upon her back.

****

Antoinette stayed behind with Émile Abadie, so I am alone when I open the door of our lodging room. The stifling heat comes as a shock after the bitterness of the night outside, after months of shivering, even under the bedclothes, and wrapping myself around one of my sisters to share our warmth. I take in Charlotte sleeping soundly on our mattress, the warmest of our blankets in a kicked-off heap at her feet. Maman is slumped over on the table, her arm serving as pillow to her head. In the corner the fireplace is ablaze, casting the room in a pretty glow, in warmth. Stepping into the room, I see the black hole of a missing drawer, like a gaping mouth in Papa’s sideboard.

I drop onto a chair. A life, unfolding the only way it can, or so Monsieur Zola said. “Well, never mind about him.” I whisper it to myself twice, the second time a little bit louder than the first. I push myself to standing up. I make my shoulders straight.

I have Madame Dominique’s class in the morning. I have my chance.

Cathy Marie Buchanan, The Painted Girls

There are so many quotes floating around about how being bored means you’re not curious or grateful for life, but I don’t see how being too busy to really absorb new things or reflect on life is any better.

Ashley Riordan, “Where is she now.”